Elya Verdal is a multidisciplinary artist whose extraordinary and richly eclectic journey has shaped a deeply unique artistic voice. After a career in industry, she made a bold career shift, exploring the intersection of psychotherapy, poetry, and storytelling. Committed and resolutely contemporary, her art draws on classical conventions, which she deconstructs through the lens of current themes such as consent, ageism, and uprooting.
Drawing on her family’s history and her own childhood memories, Isabelle Cornaz weaves together the story of Palamós, a sunny little port town north of Barcelona. Her mother grew up there before emigrating to Switzerland, and the narrator returns there every year for vacation. She wanders through this territory she knows intimately, maintaining an ambiguous relationship with this place—a place she comes from without ever having lived there.
Bahía, Isabelle Cornaz, published by La Baconnière
There is the mouth, and there is the world—the mouth trying to enter it, to carve out a place for itself, to force its way into it, this vast and brutal world, bursting at the seams with sharp and soft matter, a world where the question of homeland remains gaping, with no place to anchor one’s memory, one’s desire, one’s languages.
Histoire de ma gueule, Elissa Kayal, L’oie de Cravan
